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Finally, for those who simply wish to upgrade their existing speakers, some companies will be releasing separate top-firing Atmos modules that can be mounted on top of current speakers. This simulates the effect of audio coming from above.
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Thankfully, Dolby has worked hard with manufacturers to perfect special Dolby Atmos speakers which feature an additional driver mounted on top in order to reflect sound off of the ceiling. While this is the most effective method, it won't be suitable for everyone's home and setup. First, customers can simply mount traditional speakers in their ceiling. In order to add overhead sound, users have several options.

While a system of that size is likely out of most consumers' reach, Dolby recommends 5.1.2, 5.1.4, 7.1.2, 7.1.4, and 9.1.2 configurations (the last number signifies the amount of height speakers used), though the company prefers that customers opt for the setups with four height speakers (two in front, two in the back) for the most immersive experience. Depending on the limitations of individual receivers and amps, the Atmos spec officially supports up to a 24.1.10 speaker configuration, which results in twenty four ear-level surround sound speakers, one subwoofer, and ten overhead height speakers. With that in mind, for many, the most immediate and substantial benefit of Dolby Atmos in the home will be through the addition of overhead audio. Likewise, this also means that audio can now come from locations previously unavailable in traditional surround sound setups - most notably from above. The sounds themselves exist as distinct objects in the room that can be scaled and adapted to be played back directionally under a wide variety of speaker configurations. This means that Atmos soundtracks are not mixed to fit the rigid limitations of a 5.1 or 7.1 system. The Dolby Atmos renderer built into an Atmos A/V receiver will then take that metadata and place the sounds exactly where they are supposed to go within a user's specific speaker setup. Special metadata is then paired with each sound, giving information about its location and movement throughout the environment. Instead, the individual audio objects are mixed in a virtual environment, allowing sound designers to place up to 128 separate sounds anywhere in the space at any given time, not just within a select number of fixed channels and locations. With Dolby Atmos, however, there are no channels. For instance, in a 5.1 setup, sounds are only placed in the left, center, right, surround, and LFE channels.

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Previously, movie tracks were designed with audio designated directionally to specific speakers through a predetermined number of discrete channels.
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So, without further ado, we present High-Def Digest's Complete Dolby Atmos Home Theater Guide, laying out the basics of the technology along with impressions and a full rundown of all of the available gear.ĭolby Atmos is a surround sound technology that utilizes object based mixing over traditional channel based mixing. But what exactly are the benefits of this exciting new tech and how does one go about upgrading their gear to support it? Well, those are all great questions, and great questions deserve answers! Dolby is preparing to launch its newest audio innovation later this month, finally bringing the Atmos experience to a living room near you.
